The Blackout - Wolves EP: REVIEW

Right, we all know the score with The Blackout don't we? No? In short, one of the best live acts the UK has been blessed with in the last 10 years. They've had some extreme highs, like headlining the Camden Roundhouse and extreme lows, such as cancelling tour dates last year due to singer, Gavin Butler's neurological disorder reappearing. In October 2014, they're back. And they're back, bigger, heavier and more focused than ever. 

Aptly, the Wolves EP opens with 'Wolves' a slice of crushing rock, which could easily fit in on the radio playlists, with a massive chorus, and some fantastic guitar playing, this 5 track EP is off to a good start. Second single 'Liars' is a more technical affair, but also a lot more heavy, with unclean vocalist Sean Smith taking a more front and centre role for this song, delivering the verses and harmonising the chorus behind Gavin Butler's massive delivery. With a refrain of 'Sick, We're Sick, We're Sick, Sick of all this shit!' to close, this song was definitely built for a live setting. 

'Pieces' isn't the song to change your mind on The Blackout if you've still, somehow, not got it, but it shows off the two vocalists talents to a massive degree. Both Smith & Butler interplay their vocals to great effect and show great textures to their deliveries. 'Hold On' brings the heavy back, rapid fire lyric delivery, crushing drums and a great riff, this song encapsulates what The Blackout are all about. 

Closing with 'Chains' yet another crushing tune, with a massive, live baiting, ending refrain of 'Break from the chains', they've certainly done that. The Blackout save the heaviest and the best, song for last on this short EP. The thing with The Blackout is that they're a band made for a live setting and they've gone back to basics to create a live sounding EP on record. Every song on here sounds like it was written with a live crowd in mind, and there's no doubt every song will slay on the upcoming tour. 

The Blackout are back and they're ready to make you put your hands in the air, cause some mayhem and leave you breathless from all the singalongs. A smashing return to form. 

Mallory Knox: Asymmetry - REVIEW

Mallory Knox have been threatening to blow up since their inception. Via the Pilot EP & debut album 'Signals' they've always been a buzz band. Now comes the difficult second album and, to be honest, they've completely smashed it. 

Starting with lead single 'Ghost In The Mirror' the band set about bridging the debut with the sophomore effort to great effect. What follows is nothing short of a triumph. 'Getaway' deals with the problems of relationships and features a trademark chorus, Mikey Chapman's vocals have always been of a high standard but he seems to have found a whole new level and it's shown throughout the 11 tracks. Second single 'Shout At The Moon' is the perfect example of this, featuring a chorus made for radio and large venues. 'When Are We Waking Up' uses the quiet-loud dynamic to great effect, and is the perfect song for someone who's in distress. 

There's even time for a Led Zeppelin like long song. Clocking in at 7 minutes 21 seconds, 'She Took Him To The Lake' shows off the writing talents of the whole band. Hitting so many levels of the emotional spectrum, with so many twists and turns, the song shows a maturity and hints at bigger things to come for the band. One of the standout songs, not just for the band or the album, but possibly the year is 'Heart & Desire'. A fantastic chorus, against a background of noise, this song was written to be screamed back by crowds of thousands. 

Overall, Mallory Knox have written a collection of songs which could threaten to catapult them into the stars. 'Asymmetry' could quite easily make them the hottest rock band of the UK, and could comfortably slot them in as one of the top bands in this country today. The next tour is a big one, culminating in 2 nights at the Electric Ballroom. Next year could easily see them headlining Brixton Academy and it's fair to say that these guys deserve it. A masterclass in the 'difficult second album'. 

Marmozets @ The Fighting Cocks – ALBUM RELEASE SHOW

Album release shows are a chance to see bands in environments that you wouldn’t normally see them in and Banquet Records are quite adept at getting big name artists to play smaller venues for such an occasion. In the past they’ve had bands like Twin Atlantic and Royal Blood play special shows, but this time, it’s the turn of the young upstarts, Marmozets.

This show has been a long time coming, having released two EPs (both of astoundingly good quality) this debut album was highly anticipated, and has not disappointed. The day of the show, the album hit number 25 on the Official Nationwide Charts, a feat which is not lost on the members of the band. Becca and Josh expressing how mad it was after the show, shows maturity and a sense of down to earth which is incredible.

Now on to the show; first up were support Beasts. Sounding like a punkier, more rock and roll version of Bleach-era Nirvana, they jaunted through a 30 minute set to a decent reaction. Closest comparisons would probably be made to The Vines, and these guys are a band to watch. With a bit of polish, they could be a big shot in the arm to the British Rock scene.

Taking to the stage on a Sunday afternoon at 3.30 might not be the most obvious time for a show, but Marmozets show they can play on any stage at whatever time. Inside the Fighting Cocks, 150 people lose their inhibitions for just over half an hour, in support of Britain’s hottest young band. Opening with the song with the best chorus of last year, they rip through ‘Born Young and Free’ with the crowd going absolutely mental. Becca’s vocal chords absolute shred throughout the entire set, but there is not a better vocalist in the country right now, especially on stage. Whether screaming, crooning or softly whispering the lyrics to ‘Particle’, the band are on top form. Playing a ten song set, encompassing the majority of the album, they show why so many bands are tipping them for the top, and why they deserve to be headlining venues such as Scala. ‘Hit The Wave’ is a highlight of the day before the ending double act of ‘Move Shake Hide’ and ‘Vibetech’ brings the show to a crashing end, complete with Becca, Sam and Jack getting involved in the crowd’s mayhem, crowd surfing whilst still playing.

Marmozets are only going to go one way, and that is up. The talent in the band at such a young age proves they’re going to be a massive force. The fact they’re already writing for album two shows a commitment that not many bands actually have. This show may be the last time they’ll play a tiny stage, but that’s because they deserve to be on so much bigger stages.

Hands Like Houses – Reimagine EP Review

 Hands Like Houses are Australia’s hottest new band, having released their second album ‘Unimagine’ last year, gaining a whole legion of fans. Hitting the road, they’ve played every where they can, and are back in the UK later this year, supporting Bury Tomorrow on their UK Headline Tour, taking in venues like The Institute in Birmingham and the legendary KOKO in Camden.

After releasing ‘Unimagine’ fans have been waiting for a follow up release and they have it in a reworked EP titled ‘reimagine’ taking 5 tracks from that previous release and rewriting them in a different way. Having wanted to show the songs the same respect as they were first shown when they were first written, the 5 track EP has come out very well.

Reordering the tracks as well, as the first song to be given the ‘reimaging’ is ‘Shapeshifters’ retitled ‘recollect’. The new version has a Deaf Havana twist to it, which gives it a new lease of life. Trenton Woodley’s vocals were shown to be impressive on ‘Unimagine’ but they hit a whole new level on ‘reimagine’, especially on this first track. A jangling guitar riff and a dreamy bassline, combined with a chorus of claps gets the EP off to a great start.

‘reimagine’ has a very dreamy effect throughout the course of the five songs, taking in many different influences and effects. Some great guitar playing comes from Matt Cooper and Alex Pearson, showing growth both as players and writers. ‘No Parallels’ (retitled ‘rediscover’) is still a catchy song, showing that Hands Like Houses have many different arrows in their bows, and all those arrows are differently colored. ‘A Tale of Outer Suburbia’ (retitled as ‘release’) has become a proper ballad number, with haunting vocals and intimate instrumentals, this could easily be slipped into a live set and be a real lighters in the air moment for the band.

Overall, the EP may seem like a stopgap to some people, but it’s an incredible show of talent by the band, to be able to rework some of the best songs of their career so far and still make every one of them essential listening for fans. If you’ve never listened to Hands Like Houses, this EP is a great start.

Hands Like Houses tour the UK in October 2014 as main support for Bury Tomorrow, along with In Hearts Wake and Slaves (UK).

‘reimagine’ is out now on iTunes.

Facebook: https://www.facebook.com/handslikehouses?ref=ts&fref=ts

Twitter: @HandsLikeHouses

Foo Fighters Rocking Return!!!

When the rumours started circulating that the Foo Fighters were going to be playing three UK club shows alongside their headline slot at the closing ceremony of the Invitcus games this coming Sunday, the last place that anyone expected them to play was Concorde 2 in Brighton… Yet they did just that. The first of three club shows, proved why the Foos are one of the best live acts currently on the scene and will go down as one of the best acts ever to play a live set.

Accustomed to playing larger venues than the 600 capacity Concorde 2, the band has never failed to create chaos and mayhem wherever they play. Deciding to play a lot of rare songs, some of which haven’t been played for many years, they delved into their back catalogue as well as playing many of the hits which have become a staple of their live set. Playing under the guise of ‘The Holy Shits’ and opening with the energetic and emotive ‘Enough Space’, the crowd created the perfect atmosphere, with many diehard fans not being able to believe their luck as to be able to see this show, as well as hearing some classic Foos. Playing for near two hours, the rarities were very much weighted with the hits, and the crowd sang every single word back.

Frontman Dave Grohl was on top form, bantering with the crowd, talking up the history of the Foos, commenting on the venue having not changed since they were last there, calling it ‘a f*cking sweatbox, just like the last time’. ‘I’ll Stick Around’ followed and the crowd collapsed into pandemonium. Grohl then decided it was time to slow things down a tad, before launching into ‘Big Me’ one of the love songs as he so eloquently put it. This signaled the start of the ‘hits’ aka the classic Foo Fighters set list. A ferocious ‘Rope’ followed ‘Generator’, but the biggest cheer of the night so far was saved for a near ten-minute rendition of ‘The Pretender’ with extended bridge and breakdown for good measure.

Grohl also acknowledged that the UK’s tribute act for the band ‘UK Foo Fighters’ were in the building, before inviting the lead singer ‘Jay’ up on stage to sing ‘White Limo’ which was a surreal moment. Looking at the stage, you’d be hard pressed to tell who was the real Grohl! After a plug for the UK Foo Fighters playing at the Concorde 2 themselves, the originals got back to it and delivered hit after hit, including a cover of Tom Petty & The Heartbreakers ‘Breakdown’. The main set concluded with a song, which the Foo Fighters wrote after visiting the UK for the first time, and possibly had the biggest singalong of the night ‘My Hero’. ‘Hey, Johnny Park!’ and surprisingly ‘Everlong’ rounded out the main set after which the Foos left to make the crowd wait for a good 5 minutes, building the anticipation for an electric encore.

Striding back onstage, the front man pointed out that there were ‘a good 2000 people stood outside, listening in’ and after a muted reply from that crowd, they finished on an incendiary ‘All My Life’. Even without playing ‘Best of You’ or ‘Times Like These’, the Foo Fighters showed why they’re one of the best bands in the world today. Not many bands could come to a tiny venue like this and treat it like it was Wembley Stadium. They did just that, and with a perfect sound to boot.

Joking about a ‘week of Wembley’ shows, Grohl was masterful throughout, and all the members played their parts to 110% accuracy. No hiccups, no bad atmosphere and best of all no dodgy sound. Perfect show.

Foo Fighters are back and with a new album on the horizon, that week at Wembley Stadium may not be far away…

Sonic Highways is available on the 8^th November 2014.

The Hiding Place - So This Is Home... - REVIEW

I have sent this review off as an audition piece for Punktastic's website and I thought I may as well post it up on here as well. This band are quality and definitely deserve to be so much more prominent in people's minds. These guys are definitely worth a chance.

Short, expansive and loud. These are just three adjectives, which sum up the latest release from Midlands upstarts, ‘The Hiding Place’. Having been a band since 2010, they’ve developed a decent following of fans on social media and in their base city of Stoke-on-Trent. Combining furious guitar playing from guitarist, ‘Jonny Wood’ with ‘Dominic Webber’s’ croons and screams brings together an EP of such promise, ‘So This Is Home…’.

Opening salvo ‘Maybe You’ll Drown’ is quite calm, echoing the intro of many ‘Of Mice & Men’ songs, a dark brooding riff with ‘Webber’ very quietly singing, before an avalanche of riffs, drums and bass hit with a great scream. The opening song may only be just over two and a half minutes long, but it is impactful and shows intent. Whilst the EP is just shy of fifteen minutes long, it hits all of the right notes and shows off some expert playing. Lead single ‘Guts’ could be the song which garners them the most attention, with it’s heartfelt lyrics and an expansive palette of sound, it’s a solid choice for a lead single.

Moving onto ‘Barfly’ a song named after the legendary London venue was always going to incorporate themes of alcohol wasn’t it? With a harmonized chorus and a crunchy riff, the song is one of the strongest the band has. ‘The Whole World Is Ending In My Head’ shows off the vocals again with a quiet-loud dynamic which just works, whilst closer ‘Long Winters’ sounds like ‘Anberlin’ but a whole lot heavier. This isn’t a bad thing, and it closes the EP with a barrel full of sound.

Overall, ‘The Hiding Place’ could be on the cusp of joining the ranks of the national alternative rock scene, and could prove to be one of the leaders if this EP is anything to go by. They’ve got the tunes, now they need the overwhelming support that they deserve. Fans of ‘Mallory Knox’, ‘Finch’ and ‘Anberlin’ will love these guys.

‘So This Is Home…’ is out now via iTunes & http://thehidingplace.bigcartel.com/

Reading & Leeds - Buzz Bands: SUNDAY

The final day of the festival sees the return of one of the biggest bands in the world, that being blink-182. I'm very much looking forward to their return and would count them as one of the main reasons that I chose Reading this year as the festival of choice. But, let's roll on with the final day blog!

Sunday

Main Stage

Sleeping With Sirens - 16.05 - 16.55

Making their debut at Reading this year are Sleeping With Sirens, who come from Orlando Florida and boast a unique frontman. Kellin Quinn may have had his publicity problems, but there is no denying that he is an incredible vocalist. Having a very high pitch voice and being able to scream gives SWS an identity, especially amongst the many cookie cutter bands in the American scene these days. Having their latest album 'Feel' crash into number 3 in America, this is a band who have been able to justify the hype give to them. Having already played a headline slot at Brixton Academy, the band will be able to take to the main stage with no fear. These guys can only grow.

Lock Up Stage

letlive. - 20.10-20.55

letlive. are a band who have redefined what a live show is. They've got one of the most incredible frontmen in the current world. Jason Aalon Butler is a livewire who throws himself around the stage like a ragdoll. All eyes are all on him at all times whil letlive. are on stage. This isn't a bad thing though, because it becomes part of the spectacle of the band. Butler can incite chaos as he sees fit and the band are all tightly knit, playing some of the best hardcore music going right now. Taking influence from Refused, the band's last album The Blackest Beautiful could be used as the 21st Century's blueprint to Hardcore. They're must sees this weekend.

Lock Up Stage

Möngöl Hörde - 21.25 - 22.10

And now we come to another incendiary live band. MH are made up of Ben Dawson, Matt Nasir and one Frank Turner, returning to his hardcore roots. The band are another of letlive. ilk, with a charismatic frontman who orchestrates chaos as he sees fit. This set will keep alive Turner's current string of playing Reading and Leeds which has stretched over a 5 years now. Another band who can be called a buzz band, they're set for a big year and it gives Turner a chance to do something different for a bit, instead of just the Folk-Punk he's become accustomed to. Very excited for this one!

Reading & Leeds - Buzz Bands: SATURDAY

Saturday's acts for the main stage are mostly Indie - Hipster orientated so I may see a couple, such as Peace or the Hives, but the most interest for me lies on the NME Stage and Dan P Carter's curated stage The Pit. So let's roll on shall we?

SATURDAY

NME Stage & The Pit

Marmozets - NME: 13.35-14.10, The Pit: 17.25-18.00

Now here is a band that I have been a MASSIVE fan of, ever since I first heard them. I've written a bit about them before, but they've been a standout band for me for the last couple of years. The first time I saw them, they were all kids, with the youngest being 15. But the technical prowess they all showed for their instruments was immense. With a debut album (The Weird and Wonderful Marmozets) coming later this year, the band are all set to dominate the next 12 months. A stint on the world famous Warped Tour will have done nothing but aid them hone their skills. In Becca, they have a unique singer who can switch styles at will, from a soaring prolonged note, to the scream of a banshee. The fact that they're playing twice means they have two crowds to play to. I will most definitely be in both for both sets.

NME Stage

Royal Blood - 14.25 - 15.00

Following on from Marmozets, we have THE buzz band of the year. As I write these posts, I've been listening to the debut album and I have to say; Believe The Hype. Royal Blood are THAT damn good. Combining blues rock with heavy riffs and pumping drums was always going to be a winning idea. But the fact that the band are a two piece, with a drummer and a bass player is what is incredible. The band have been making waves up and down the country, playing with Arctic Monkeys and playing Glastonbury, to name but two achievements. There's also the small feat that they've never undertaken a headline tour of their own. And yet their album is slated to crash the charts in the top 5. Rock never died, it's been asleep, but it never died. Royal Blood are bringing it back and they're doing it in a massive way.

The Pit

Of Mice & Men - 22.40-23.30

Making their debut at the Reading & Leeds double header, are these guys. Once again, a massive buzz band, they're headlining The Pit, curated by Dan P Carter from Radio 1, who has been a massive champion of their music and regularly spins them on his show. Again, I've spoken about this band, but they're another one who should have their hype believed, because they're amazing and have shown growth on every album they've released. This years offering 'Restoring Force' was a vicious rip up of their own rule book and showed why they need to be listened to. The band have threatened to become a massive deal since the first selftitled album, and this will be their springboard in the UK. Brixton Academy calls.

Reading & Leeds - Buzz Bands: FRIDAY

This year will be the 4th year in which I have attended the Reading side of the twinned festivals. Spread over the 3 days, there are an incredible amount of artists who are set to use this coming weekend as the launchpad for the next stage of their career. Some of the bands I have already blogged about, some I haven't. But I will go through a few of the acts from each day in three articles, spread across a variety of the stages. The headliners will not be spoken about however, as they are all deserving of their slots and I cannot big them up anymore than they have been. Moving onto Friday...

Friday:

Main Stage

 Hacktivist - 12-12.40

These guys are capable of one hell of a racket. Their back story is documented well, vocalist Timfy James left his old band, and got into contact with a local from the Rap scene, J Hurley who wrote lyrics over James' demos. The band were born amongst a mass recruit for the rest of the band. The 5 piece meld rap with metal to create the new genre of Djent, a crashing avalanche of riffs, beats, screams and raps. The band start the proceedings on the Main Stage and they'll be looking to crush it. Definitely one of the bands to watch, especially for the rest of the year.


NME Stage


Gerard Way and the Hormones - 11.50-12.25

Now, here is one of the most anticipated acts of the whole weekend and he's opening the festivals second stage. Former frontman of My Chemical Romance, Gerard Way is a festival institution, having played here twice before and being part of one of the most polarising acts of the 21st Century. Every set they've played at every festival, has always been a cause of debate, but there is no denying that MCR were an important band and Way was a spokesman for a generation. This weekend he makes his debut as a solo artist and with two songs out already ('Action Cat' & 'No Shows') and a debut album due later this year, his set is high on the buzz feed. Sounding like a Britpop revivalist is in no way a bad thing and is unique for an American to try. But this set will be a rebirth and will set Way up for a massive 2015.



NME Stage

Twin Atlantic - 16.25-17.10

Many have called Twin Atlantic 'Biffy Clyro-lite' but with new album 'Great Divide' out this week, the band are sure to get rid of that tag, sooner rather than later. In Sam McTrusty, they have a frontman who wears his heart on his sleeve and can pen an anthem as well as he can pen a ballad. Twin Atlantic have been a buzz band for many many years, but this is the year where they live up to the hype in all ways. They're ready to play the massive stages, having done so supporting Kings of Leon and Kasabian in the last year. They've set their sights on a headline night at Brixton Academy, but 'Great Divide' (and for that matter, debut album 'Free') are albums which were made for the big venues. I think Twin Atlantic will have headlined Brixton and Hammersmith by the next Reading & Leeds festivals with a Wembley Arena date not too far over the horizon.

Marmozets EP - REVIEW (NBA)

Marmozets have had a lot of buzz and it's really not hard to see why. From Bingley, Yorkshire, made up of 2 sets of siblings, these 5 have been called 'the most exciting band in the UK today' by many different publications, and having seen them first hand many times, I believe the hype. From the ferocity of 'OneManWolfPack' to the soaring 'Captivate You' the band encompass many different styles and tones. In front woman Becca, they have a rising star. Becca has her head on the right way and is fast becoming a role model for many people. Vocally, she has a lush tone in her singing voice whilst also being able to scream like a banshee, she's one of the most diverse singers currently in the world. The band all experts at their instruments as well. Sam & Jack are riff masters whilst Will & Josh form a great rhythm section which keep the tracks going. This week, they released the 'Marmozets EP' which consists of four songs which will appear on their debut album and have all been singles.This collection of songs is the most well rounded release they've released. 

Opener 'Born Young And Free' is one of their best songs to date. With an intricate opening and a stick in your head chorus, Becca's barks and yelps lead into an incendiary chorus which is amongst my favourites of all time. A rallying cry for the youth of today, and the perfect opener. 

'Why Do You Hate Me?' shows that they can do more radio friendly songs, whilst still appealing to their fan base. Featuring a spiralling riff, this song shows them in a more streamlined light, focussing all the talent that they have and smashing out this tune. It's songs like this which have caught the ear of the radio, particularly Huw Stephens, who thought high enough of them to give them a headlining slot on his curated 'BBC Introducing Stage' at Glastonbury.

For me, the standout song of their career is the magnificent 'Captivate You'. An absolute beauty of a tune, laced with stellar guitar work and Becca's lush tones, 'Captivate You' is a modern take on a ballad and the band just make it work. I remember the first time I heard this song, and thinking that this was going to be the one which makes them. The last notes of Becca's voice ring out and sound incredible. Again, the instrumental behind the voice is top notch. 

The final song of this EP is 'Move Shake Hide' which again shows off a different side to the band. The breakdown and guitar riff are so off kilter and unique but very characteristic of the band. It encompasses everything which is appealing about the band, combining the riffs, vocals and technical ability to create a wall of sound that captures the ears and entrances the listener.

Overall this is a collection of singles which have been out for a while now. That does not however mean that this release should be ignored. This band are going to be huge, and whether that's in the mainstream or in the scene, it shouldn't matter. Marmozets are one of the most exciting bands in the UK right now and that's because they're a unique band. There isn't anyone out there doing anything even remotely close to what they are. They're gonna grow and grow, and I for one cannot wait to watch the journey unfold. 

Marmozets EP - 10/10

Becca Macintyre - Lead Vocals

Sam Macintyre - Guitar/Vocals

Jack Bottomley - Guitar

Will Bottomley - Bass/Vocals

Josh Macintyre - Drums

Marmozets EP is out now on iTunes

Catch Marmozets at Reading and Leeds Festivals and on tour, co-headlining with Lonely, the Brave.

Everybody Wants - The Struts - Review

Hailing from Derby, The Struts have released their debut album this week. And it says a lot about the state of Rock N' Roll music in the UK. Bluesy Rock N' Roll with hooks and charisma sum up this album, which is a contender for debut album of the year. Luke Spiller is one for the future as well, one of the most charismatic frontmen going right now. His delivery of the lyrics are so passionate that you can feel the charisma coming through the speakers. 

Lead single, Could Have Been Me showcases what the band are about, and shows that the band are genuine, there is no BS about them. Adam Slack's guitar playing is top notch and the basis for their songs, keeping them moving and showing the necessary swagger to engage the listener. Spiller's vocals remind of Gerard Way of My Chemical Romance fame, but if he was British. Album opener Roll Up sounds like a scuzzy Panic! at the Disco. Spiller has a knack of sounding like a proper rock n roll vocalist whilst drawing on the influence of Tom Clarke (The Enemy) and Ricky Wilson's (Kaiser Chiefs) vocal abilities. 

Dirty Sexy Money sounds like a new age Motley Crüe, whilst closer I Just Know shows off the swagger the band have. Though there isn't a ballard on the album, Let's Make This Happen Tonight is very close, and shows off some great riffs and impassioned lyrics. If this was the 90s, there is no doubt that the band would be megastars, based just on this one album. They're one of the proper throwback bands out there, taking influence from classic rock bands, and bringing it to this millennium. 

The media like to claim that Rock music is dead and that Kasabian are the saviours of the genre. I'd like to call the media out on this, as The Struts have shown a lot more swagger and a lot more Rock N' Roll passion than many bands out there currently. Bands could do well to learn from The Struts, having built up a passionate fanbase from relentless touring, playing the pubs, bars and dives up and down the country, it's time they get what they deserve and step up to bigger venues. Easily one of the bands to watch this year.

Everybody Wants - 9/10

Key tracks: Roll Up, I Just Know, Could Have Been Me

The Struts are:

Luke Spiller - Lead Vocals

Adam Slack - Guitar & Vocals

Jed Elliott - Bass & Vocals

Gethin Davies - Drums

Everybody Wants is out now on Future Records.

Catch the band at festivals and on tour later this year!

NBA - Moral Panics

So, now I've finished University I've decided that I can finally devote more time to my blog. I've decided to start a new feature, which will be every 2 or 3 days called 'New Band Alert' (or the NBA for short) which will entail me writing an entry of a band I've found, that I think need to be listened to! So, without further ado, I'd like to start with, Moral Panics...

Moral Panics are a band from Stoke-on-Trent in the West Midlands. Having gone through numerous lineup changes, they seem to have settled on this current set up of 4 members. With two guitars, their sound has been fleshed out more & allows for more intricate riffs and time changes. This gives the band a different edge and puts them in the same ilk as the likes of Foals and Biffy Clyro. Taking influence from bands like Foals, Peace & Nirvana, they combine off time riffs with pop sensibilities, but they know how to be heavy when they want to be! 

Having seen this band a few weeks ago at the Sugarmill in Stoke, I can report that they've certainly become a whole lot tighter as a live band, and the new songs just work. The Stoke show could be the tip of the iceberg, of something big happening, and having already put the 'WLVS EP' out this year, they're returning to the studio in August, to record the follow up EP, which is slated for an end of 2014/early 2015 release. 

'WLVS' was the second proper release from the band in this incarnation and the difference in material is staggering. The style, the swagger & the all round ability of the members is all shown here. Lead single, (video coming soon!) 'February' leans very heavily on the Foals influence but is unique at the same time, giving the band their own identity. Great choice for a lead single, showing off all the members in terms of ability and musical prowess. Even though the EP is only 5 songs long, it is very solid and for me the standout song is 'Maxim', a rerecording of a song from their previous 'Blood EP'. The chorus and emotive vocals from lead singer Daniel Stephen Johnson combine in a highly effective manner. Showing a vulnerability and a character at the same time, Johnson's vocals are top notch throughout the 5 tracks. The only criticism for the EP is that the guitar tracks could be louder in parts, but aside from that, it's a solid 4/5 for a debut effort, setting the stall for who they are but also leaving them room to spurt off in different directions depending how they feel. 

Along with plans for a tour in the coming months, Moral Panics are one of the bands that you should believe the hype about. Go see them if and when you can, as they won't be playing the small venues for much longer!! 

Moral Panics are - Daniel, Andrew, Thomas & Jarred

Moral Panics' latest EP 'WLVS' is available now from iTunes and for streaming on Spotify & Soundcloud. 

Facebook - https://facebook.com/moralpanicsband

Twitter - www.twitter.com/MOZPAZ

Soundcloud - http://soundcloud.com/moral-panics

Metallica - GLASTONBURY REACTION

A few months ago, I wrote a piece about the rumours of Metallica headlining the Other Stage and the stupidity of that as a notion. Well, since that piece, Metallica were confirmed as headliners, but for the whole festival. Playing the legendary slot on the Saturday night on the Pyramid. As I'm writing this, they have just finished.

I, for one, was pleasantly surprised with their reaction and I'm glad I was. Glastonbury took to Metallica like any other headliner, singing along the whole time, and get involved in the crowd participation. Unlike the set at Sonisphere that they'll be playing next weekend, they made sure all the hits and known songs were aired and enjoyed. From 'Wherever I May Roam' to 'Enter Sandman' culminating in a massive 'Seek & Destroy' Metallica completely owned Worthy Farm. Playing at the same time as Mogwai, Jake Bugg, Bryan Ferry & MGMT, there was a lot of variety on, from nostalgia, to folk, to instrumental and party atmospheres, Metallica pulled an impressive crowd. With all the controversy about them playing, Metallica pulled a massive crowd and played an amazing set which will have left them happy as well as the Glastnobury goers, who aren't the typical Metallica fans. They came in with controversy and left having slated the hardest crowd they'd ever have to play to. Will this change Michael Eavis' mind about who he books in the future? I hope so, as the festival needs more variety, and why should it always be mainstream. Metallica have shown that a metal band can be accepted at a festival like Glastonbury and can conquer it. The fact that they completed their set with little to no gimmicks as well, is very impressive. They came on, plugged in and smashed Glastonbury, like a proper rock band should be able to do. Turn up at any venue, plug in and proceed to smash it.

Metallica are a brand, and that brand is world famous now. After headlining Glastonbury, one of the last things on their bucket list, they're allowed to say that they've headlined all but one major festival in the UK and the only one they've not done is V Festival, which they're not applicable for. Lars has stated that the band want to play the Superbowl and the Academy Awards Ceremony. There's also the matter of that new album in the pipeline. Whatever they choose to do, I am interested in seeing them carry on conquering the world.

Architects - Lost Together // Lost Forever (Album Review)

Architects are one of Britain's standout metal bands. This isn't a statement for people to argue with, as they've consistently churned out great albums. It wasn't until their 3rd album, 'Hollow Crown' that people started to take Architects seriously. Containing gems like 'Follow The Water' & 'Early Grave', they set themselves on the fast track to metal's big leagues... And then they released 'The Here & Now'... Showing off a much softer edge to the band, lyrics about love and heartbreak were on show. Sam Carter was able to flex his lyric writing muscles, but the album was at the wrong time for the band, as they have since stated that it is one which they do not enjoy, looking back at it. Personally, I thoroughly enjoyed the opus, but it did feel like they were taking a side step instead of a step up. Fortunately, they rectified their 'mistake' by unleashing 'DayBreaker'. A monster of an album which put them back at the forefront of the next metal bands to take over.

We now come to this. March 10th, Architects released 'Lost Forever // Lost Together'. Continuing the heaviness from 'DayBreaker', but leaving behind the political angst displayed throughout, the band have hit a whole new level of musicianship. The speakers have been turned up to 12 let alone 11, and they finally sound comfortable again. Carter's taken more of a back seat in terms of writing lyrics this time around, and has allowed guitarist Tom Searle to come in and help. This gives the album a balance, and allows Carter to show off the best of his voice. The delicate croon and the ferocious scream which has become his trademark.

First single 'Naysayer' is a complete ripper. Everything that makes the band Architects can be seen on this song. Tom's brother Dan, is the drummer for Architects and this song in particular shows off his ability. The songs are led by his beats, and lock in with the riffs in a very intricate way, so much so that they feel like they're feeding off of each other. Throughout the album, Dan's drums are one of the many highlights and his ability is shown on every song. 'Broken Cross' was released a little while ago as the second single, and is a lot heavier than 'Naysayer', but this shows off the ferocity that Architects seem to have found within themselves once again.

The album starts off of at a very high speed, crunching it's way through many different riffs, beats and screams, and what gets me is that they never seem to slow down for long. Even when going slow, they're heavy as hell. 'Red Hypergiant' is an instrumental song which lulls the listener into a false sense of security, as 'C.A.N.C.E.R.' hits you in the face like a mallet. 'Red Hypergiant' also acts as a barrier, in that the first 5 songs are all smash mouth, in your face, metal core tracks, then 'Red Hypergiant' allows a break for just over 2 minutes, before the last 5 songs hit the breakneck speeds once again. Every song on this album has the potential to become a live favourite. No questions need to be asked about that statement. 'Youth Is Wasted On The Young' may be one of the standout songs this band have ever released. Carter bellows about how 'The Past is Dead' and whether there'll be regret at the time of death. Such wide views of the world at the age of 25 are commendable, and the band have always been one to have a rallying cry for their fans. This is the biggest one yet.

Overall, Architects haven't changed the way metal core should be, but they've gone a long way to perfect their own sound, and probably have created the album of their careers. It'll be very interesting where this year takes them. Already confirmed to play Reading & Leeds, I wouldn't be surprised to see them graduate to playing venues like Brixton Academy. Be prepared to watch the band take over the metal world, just like their buddies Bring Me the Horizon have done.

Lost Together // Lost Forever - 9/10

Key Tracks: C.A.N.C.E.R. Youth Is Wasted On The Young, Broken Cross.

Metallica... 2nd Stage headliners at Glastonbury?!

Glastonbury is known as the grand-daddy of all the festivals worldwide. It can make or break your career, especially if you're given the headliner status early. Michael Eavis has a knack of finding the right bands at the right time to headline the Pyramid stage. Case in point, Kings of Leon headlined in 2008, just before Only By The Night took over the world. Some say that KOL were given the slot, due to Jay-Z controversially headlining on the Saturday, so all eyes were on him.

2014 will see Arcade Fire headline Glastonbury for the first time in their career. A strange pick, and one which has seen a lot of debate. Some say it's their time, and some are asking why they're headlining. I'm in camp 2. Arcade Fire headlined Reading 2010 alongside Guns N' Roses & blink-182. They were the oddball headliner, and as such, played to a vastly smaller crowd, due to Pendulum being on at the same time. In my opinion, they're not a headline band. Their songs are not commonly known, like Mumford & Sons' songs are.

The other rumours for the headliners are as varied as being Rihanna, Prince, Kasabian, Foo Fighters or Kanye West. All 5 of these bands are bigger than Arcade Fire. Whilst looking at eFestivals (a very reputable website for festival rumours) I noticed that a certain band are the strongest rumour to headline the Other Stage (Glastonbury's 2nd stage). A band who are known commonly as the biggest metal band of all time, and one who've become less of a band and more of a company recently, having recently released movies and books, and even having their own festival. Of course, I am talking about Metallica. Now, I am not a diehard Metallica fan by any stretch of the imagination, but even I can see that Metallica are WAY bigger and better suited to headlining than Arcade Fire. Metallica have been booked to play Sonisphere this year, for the 40th anniversary of Knebworth festivals. Surely this shows their credentials? The fact they've headlined many major festivals worldwide and the fact they've sold out Wembley Stadium. In recent interviews, the band have spoken of a desire to play Worthy Farm, as it's the last major festival they've not ticked off of their list.

So, why are they being rumoured to be playing the Other Stage? Metallica are a brand. They've got the fans to get their albums to number one for a week. They sell and have sold millions of albums. Metallica are the single biggest metal band in the world, and that makes them one of the biggest bands in the world by proxy. This surely means they should be heading up the Pyramid stage. Many are saying that they shouldn't play Glastonbury, because of the people who go to Glastonbury. I call BS. Metallica can more than play the festival, and excel at it. They've always been a band who adapt and change what they need to. They'd be ideal to headline Glastonbury, mostly because it'll get people talking again, like they did with Jay-Z headlining. And who doesn't want to see 'One' and 'Enter Sandman' being blasted out of the Pyramid's PA? It'll be a special moment. Metallica are as important to metal music as Led Zeppelin, and as Glastonbury is a festival of the arts, it would show a huge diversity to book them. To have them headline the Other Stage seems like an insult, considering they'd probably be louder than anyone else the whole weekend. Putting them on the second stage whilst someone like a Kanye West, or a Rihanna plays the Pyramid, would be a stupid decision to make in my honest opinion.

Now for the other headliner. The bookies have stopped taking bets on Kasabian being revealed as a headliner and I think it is their time. They've been knocking on the door for the last few years, and headlining the Olympic Park last year, along with Reading the year before, has finally shown that they're a threat to the crown of the UK's biggest rock band. Currently, you'd have to say that the crown belongs to Muse. Again, no where near a fan, but people LOVE Muse. People are starting to fall in love with Kasabian, due to the brashness, and Oasis-like swagger they have about them. The main difference is that Kasabian obviously love doing what they're doing. And the guys clearly enjoy playing together. Serge Pizzorno is one of the most talented song writers and guitar players in the country, if not the world. In frontman Tom Meighan, they've got a mouthpiece who isn't afraid to get his hands dirty and say what needs to be said. Everyone is jumping on the Arctic Monkeys bandwagon as the most important band in the UK. Kasabian are that. Unabashedly English, and completely uncorrupt of any outside influences, Kasabian are the spokesman for the next few years of UK rock.

Arcade Fire, Kasabian and Metallica. An artsy Indie band, an Indie rock powerhouse and the biggest metal band of all time. Glastonbury could be about to get interesting again.

Cavalier Youth - You Me at Six: REVIEW

You Me At Six are a band I've followed for many years. Since seeing 'Jealous Minds Think Alike' on Scuzz one day, the band captured my attention. Through all the pop rock acts out there at the time, these guys seemed to be just a step above. It's shown too, with each album gradually getting them more and more publicity. Debut 'Take Off Your Colours' peaked in the charts at number 25, whilst sophomore effort 'Hold Me Down' crashed in at number 5. In 2011, YMAS knew that the 3rd album would make or break them, and they did not disappoint. Unleashing 'Sinners Never Sleep' in October, the album debuted at Number 3, having spent most of the week at Number 1. This propelled them to headline Wembley Arena, for the 'Final Night of Sin'. Not bad for 5 guys still in their early 20s. This has all built up to the release of their 4th album. 'Cavalier Youth' will really show where YMAS are in terms of writing and in terms of public interest.

Opening with 'Too Young to Feel This Old', the band sound tight and Josh Franceschi's vocals are front and centre. YMAS have always been adept at writing massive choruses and this carries on throughout the album. Lead single 'Lived a Lie' is next and is the type of song that could be played at football games over the tannoy. A huge chorus and slick playing, this is an early highlight and a great choice for a lead single. Charting at number 11 upon it's release, it's the band's highest charting single in their history.

Despite being a 'pop rock' band, YMAS have shown that they can get mean and heavy before. Their very early material involved a lot of screamo and 'Sinners Never Sleep' featured two metal vocalists (Oli Sykes of Bring Me the Horizon & Winston McCall of Parkway Drive). Though not as heavy as those two songs, nor anything on SNS, they do crank up the volume on 'Room To Breathe' one of my standout songs of the album. The guitars do most of the work on the song, guiding the song through the verses and then hitting overdrive on the chorus. 'Fresh Start Fever' and 'Love Me Like You Used To' are notable highlights if you're looking for heavier material, whilst 'Win Some, Lose Some' has a great repetition verse which is waiting to be screamed at festivals.

'Be Who You Are' may be the shortest song on the album, but it's without doubt, one of the bands finest ever songs. Franceschi's vocals are impeccable and really show off the range he possesses as a vocalist. 'Hope For The Best' gives off a Jimmy Eat World vibe and is another personal highlight of the album. 'Wild Ones' closes the album off with another chorus which will be a highlight at live shows, with a massive refrain waiting to blow the roof off the arenas.

Overall this is a great album and is a great entry into their live set. There are some queries though. The band knew that their fans would've accepted a heavier side and whilst this album will gain new fans, they run the risk of alienating some of the SNS fans. Along with this, the album does miss the massive ballad that has become a trademark of theirs. On the 3 previous albums, there were a massive ballad in 'Always Attract', 'Fireworks' & 'Crash'. Cavalier Youth, I feel, would benefit from a massive love singalong song, in the same vein as these. Sinners Never Sleep set them on the path to stardom. While Cavalier Youth will be seen as the springboard to send them into superstardom, it makes me wonder where they will go next. And as a band, intrigue is something which can be priceless. I'll be in attendance at Alexandra Palace to see YMAS and I'm excited to see the new songs played live. I'm more excited to see where this album will lead them to, en route to the next one.

Rating: 8/10

Key Tracks: Room To Breathe, Lived A Lie, Be Who You Are

Restoring Force – Of Mice & Men Review

Of Mice & Men have had a turbulent life as a band. Lineup changes abound and arrests for front man Austin Carlile, they’ve done well to come through all of these challenges intact. Releasing their third album in 2014, ‘Restoring Force’ follows their self-titled debut and their breakthrough ‘The Flood’. Heading in a new direction, whilst staying true to their roots, was always going to divide fans and critics. Fortunately these boys are more than capable of answering all question marks, which may hang around them.

Their first album to feature new clean vocalist and bass player, Aaron Pauley, 'Restoring Force' showcases both the past and the future of the band. Described in previews as more of a hard rock album, the band was aware of the backlash they could have suffered. When they dropped ‘You’re Not Alone’ last year, the feedback was split between ‘the best thing they’ve ever done’ and ‘why have they done this??’.  Featuring a more scream-sing vocal style from Carlile, the chorus is sang by Pauley, and is an immediate hook. The interplay between the two of them sounds incredibly natural, as if they’ve been doing it day in, day out for a number of years and this is shown throughout the record. The song itself carries the message of never give up and live your life to the full. Carlile speaks of wanting to inspire the world and his fans, and this is the perfect song to illustrate that point.

From front to back, this album is incredible. It takes OM&M’s metal-core sound and adds a cocktail of hard rock, nu-metal and softer delicacy, which creates one of the albums of the year. I know, it’s January but this album will be looked back upon as the album, which makes this band. From the ‘Public Service Announcement’ opener, right through to ‘Space Enough To Grow’, which closes, the band do not let up. There is so much passion in the vocals and the band hasn’t ever sounded tighter. All of the songs are incredibly well written, but the band have written some gems, and some of which may even find their way onto daytime radio. ‘Feels Like Forever’, ‘Would You Still Be There’ and ‘Another You’ are alternative enough to hit the radiowaves, no problem. The fact that they’re also heavy still, makes this achievement all the more impressive. Old fans need not worry that they’ve gone soft either. The songs still bruise and batter the senses; they just do so in a more concentrated manner. The riffs are just as good, and the technical ability is still on show. Some synth work is also incorporated. Lyrically, the album focuses on personal demons and how to conquer them. These issues are tackled in a way, which makes the listener to feel as if the band knows exactly what they’re going through. By embracing a heavier and softer sound, the band, have become a lot more accessible, which can only be a good thing for their growth.

Of Mice & Men are about to explode. ‘The Flood’ was the warning, 'Restoring Force’ is the tidal wave which will take them over the top. In Carlile, they have a spokesman who puts his all into the band, and holds the respect of the fans. A polarizing figure, yes. A workaholic who will bleed, cry and sweat for this band? A massive yes. Heading out on their biggest UK tour to date in April, they’ll play a show at the Camden KOKO, which will be their biggest UK show ever. Don’t be surprised if they’re headlining Brixton Academy by the end of 2014. They’ve already been asked to headline a stage at this year’s Reading & Leeds festivals, which incidentally will be their debut performance at either festival. This band is America’s answer to Bring Me the Horizon, in terms of being the flag bearers for metal in each country. They will continue to grow, and they will continue to exceed expectations. Of Mice & Men want the world, and they'll get it on this evidence.

Restoring Force – 9/10

Key tracks: Feels Like Forever, Would You Still Be There, Identity Disorder.